Digital Technologys Impact On The Film Industry Media Essay

Digital Technologys Impact On The Film Industry Media Essay Digital technology in the last decade has completely transformed the film industry. Focusing on the key methods of film making and the impact that technology has had on each area, this editorial will look at recent modifications in the pre-production part of film making, followed by a look at the new equipment and storage facilities being used by modern filmmakers. Film distribution and the negative impacts that technology has had on the field, particularly on the illegal sale and piracy of copyrighted material is investigated. Post-theatre film distribution and the changing breakthrough technologies in this field are explored to look at the constant changes in education and training of professionals in the film industry. Computer generated graphics and its increasing impact on the film industry is covered, and the future of the industry is predicted. Digital tools and technology have altered the script writing process by making use of the internet and digital editing tools. The internet is being used by scriptwriters to forward their scripts to directors and potential cast members but it also caters for peer reviews by way of online forums (Huang 2004). There has been a significant increase in the last decade in the use of digital video cameras for low-budget film shooting along with higher definition video which is set to match and go beyond the standard 35 mm film both in the quality and flexibility (Culkin Randle 2003, p.5). The post production phase of film making has arguably been the most significantly impacted by new trends in technology. The introduction of non-linear technology has made the use of hand edited films inefficient, and too time consuming. This process, created by Avid, involves piecing together the film in a virtual environment where both the director and editor view the output on a screen (Culkin Randle 2 003, p.8). The entire process of filmmaking has been digitalized, everything from the distribution to the projection of films to audiences. However, the lack of standards and commercial agreements between distributors and exhibitors has slowed down the conversion to digital technologies. For example, only 170 cinemas around the world have converted to what is known as high-end digital (Culkin Randle 2003, p.9). Profit margins for movie studios are reported to be decreasing, now being outnumbered by the video game industry. Satellite delivery of feature films to cinemas have recently made its debut and reports indicate that upon full implementation of using this method of film distribution can save the film industry in excess of $700 million per annum (Markman Vega 2001, p. 1). A major downside for the film industry is that recent technological breakthroughs have made the piracy of copyrighted material very affordable. Primarily for music and film content, this has lead to some major lawsuits against peer-to-peer networks and individuals as a result of the copying and distribution of these materials. This is one of the film industries main issues it will have to overcome when the public has access to this low cost copying equipment (peer-to-peer networks, DVD and CD writers). Suffice to say that it has never been so easy for frauds or even honest users to created perfect versatile copies of films (Markman Vega 2001, p.1). However, the film industry has attempted to decrease the risk of  ¿Ã‚ ½pirates ¿Ã‚ ½ copying movies by creating the Content Scrambling System (CSS). With this encryption algorithm, only authentic DVD products which contain the decryption algorithm can play the movie. This technology rearranges the audio and video on the DVD so that only a DVD with its decryption algorithm can play the film correctly. It was also created to prevent users from copying data from DVDs. However, not long after a Norwegian teenage boy reverse engineered a DVD player which contained the decryption algorithm, cracked the CSS code and uploaded the decryption software for users around the world to use (Markman Vega 2001, p.2). The post-theatre market accounts roughly for three quarters of a film ¿Ã‚ ½s profits during its lifetime. The largest of these are video rental stores which account for nearly half of all proceeds. The DVD has completely changed the industry, becoming the fastest growing consumer electronics item of all time (Culkin Randle 2003, p.5). DVD ¿Ã‚ ½s have undoubtedly increased movie studios ¿Ã‚ ½ income when it decided to provide content to the home end consumer with incredible sound and picture quality which does not degrade like ordinary VHS cassettes (Markman Vega 2001, p.2). A new and rapidly growing area in the distribution market is  ¿Ã‚ ½Movie-on-demand ¿Ã‚ ½. This is where consumers download movies over the internet instead of going down to their local video store. The advantage of this technology is clear: no late fees and no inconvenience for traveling (Culkin Randle 2003, p.17). Rapid modifications in the film industry in recent years have forced many professionals in the audio and visual industries to acquire new and specialized skills. This is an ongoing process in some industries, one example is that the post-production industries are required to have constant upgrades of tools and software which leads to continual re-training of staff which in turns increase production costs (Culkin Randle 2003, p.18). Future allocations might involve allowing editors in different countries to edit film by accessing digitized media on a server without actually leaving the comfort of his or her house or office. The same will be possible for all kinds of sound editing (Bishop, Case, Axarlis, Plante Allsop 2000). Satellite distributions to cinemas are at the forefront of future film distributions. George Lucas, the author and director of the Star Wars series, is preparing to use satellite technology to display the next episode in cinemas. This process of digitally distributing and exhibiting the film through data projectors are known as E-Cinema. Inexpensive and flexible distribution is the main advantage of this process; however Cinemas will have to acquire substantial expenses when converting from film to digital projection. This technology is very much still in the development stage and the impact that E-Cinema will have on film making is not yet clear (Bishop, Case, Axarlis, Plante Allsop 2000). Gregory Huang ¿Ã‚ ½s article entitled  ¿Ã‚ ½The New Face of Hollywood ¿Ã‚ ½ examines the advancement in computer animated graphics in the past year. Recent blockbuster movies like Spiderman 3 and Beowulf are good examples of how far computer generated graphics have come in recent years. The film industry has progressed into a stage whereby every single event during the film making process can be computer generated (Sagar in Huang 2004). In the past, digital representations of faces have not looked  ¿Ã‚ ½real ¿Ã‚ ½ when one looked at it closely as it is a lot easier to make non-human objects like dinosaurs  ¿Ã‚ ½real ¿Ã‚ ½; however, advances in rendering human skin, lighting digital scenes and examining human actors are now allowing animation engineers to control the texture and movement of every little square of pixels in an animated skin. Huang (2004) reports that an average budget for a blockbuster movie is approximately $150 million where it is not uncommon to see mo re than 50% of funding allocated to computer generated effects. It is clear that there has not been one area within the film industry that has not been at least somewhat impacted by technology over the last 5 years. The major impacts for pre-production stage have been the development of script-writing tools as well as the increased use of the internet to distribute scripts to directors and other interested parties. Generally equipment costs have reduced while at the same time quality and flexibility of the products have dramatically increased. The birth of non-linear technology has all but made hand edited films an extinct specie and fast-tracked the whole editing process (Culkin Randle 2003, p.5). Major advancements have been made with satellite distributions to cinemas recently making its debut. The major concern with improving technologies for end-users is that it has become extremely easy for consumers to copy copyrighted material and suffice to say that is arguably one of the biggest battles the film industry will face during the coming yea rs (Markman Vega 2001, p.2). DVD ¿Ã‚ ½s are the leading technology in the post-theatre film market, with  ¿Ã‚ ½Movies-on-demand ¿Ã‚ ½ set to explode exponentially over the coming years (Culkin Randle 2003, p.17). Finally this article examined the amazing advances in computer generated effects in films the past year, and today the industry has reached a stage where every conceivable scene can be computer generated if resources are committed to achieve the desired goal. Technology is set to continue to revolutionize the film industry for many years to come (Huang 2004).

Blue Streak Essay

What suggestions would you offer to Art to improve his operation? It seems as though, Art prematurely opened the two locations in neighboring states. Because Art was a constant figure in his other locations from inception, the vision that he had for those locations were taught and able to be practiced to his standards. There are at least three areas in which this operation can be improved. It is clear that art believes that the common denominator in the success of all his other locations is his presence. At the locations in neighboring states his managers feel as though, he frequents the locations too much. There is a clear disconnect in his intent and their out look of the situation. His manager likely believe that he doesn’t trust them to effectively manage, and do the job in which they were hired. They likely seem his as a micromanager. I believe that this problem can be solved with simple communication. He explains the reasoning behind his constant visitations and Iâ€℠¢m sure his manager will be able to understand his reasoning and that will relieve some of the tension. Also, his managers do not seem to know what Art is expecting of them as managers. This problem can be handled with training. Art may want to think about closing down his locations for a limited period of time in order to teach his managers what is expected of them. When Art visited these locations, it seems as though he never effectively What management skills must Art master if he is to resolve his problems and continue to grow? Conceptual skills may help him to understand that in order for the company to succeed he needs to plan and organize his goals. Using these skills increases the ability to see the organization as a whole. It would help Mr. Benton to understand the relationships among the different offices and see how the organization fits into its broader environment. These skills are cruel for the top management and will the company will grow and it will also allow Mr. Benton to grow as a person. Mr. Benton can apply the skills mastered in his company by realizing how the out-of-state offices are connected to the other offices. By understanding this he can understand the business as a whole and decide on the objectives and then proceeding to plan and organize management task. Therefore, mastering conceptual skills are  recommended to learn since it will help the CEO understand the company as whole making better decisions and resolving the problems at easier way.

Essay about Code Hero Frederic Henry in Hemingways A...

In Ernest Hemingway’s A Farewell to Arms, the code hero is the protagonist Lieutenant Frederic Henry. Frederic is no exception and presents with the common features of any Hemingway hero. He treats women as mere objects of sexual pleasure, religion and the afterlife as inconsequential, and defeat with a measure of grace and finesse incomparable. His love for Catherine Barkley is sexually motivated, the author consistently casts a level of skepticism on religion through Frederic and his interactions, and even while facing the death of his child and beloved Catherine, Frederic walks away evidently unfazed. The relationship between Frederic and Catherine begins early on in A Farewell to Arms, setting the groundwork for the entirety of the†¦show more content†¦When asked about whether he had ever slept with a prostitute, the exchange goes, â€Å"But you never did? Really? / No. / Not really. Tell me the truth. / ‘No,’ I lied.† He answers in a manner th at he knows will appease her, much like the game he alluded to only about 70 or so pages ago. Only short thereafter he has sexual relations with her, and the reader is expected to believe that their love is true. The idea of religion is repeatedly cast doubt upon by the characters in the novel and reflects on Frederic’s apatheistic views. In an exchange between Count Greffi and Frederic, the latter character says, â€Å"My own [religious feeling] comes only at night.† This line is reflective of Frederic’s human association with the problem of afterlife. While he does not concern himself with religion and the afterlife, with no discernable belief in one, Frederic comes to fear death and hopes for life afterwards. To allude to a famous aphorism, â€Å"There are no atheists in foxholes.† While Frederic may fear death and hope for an afterlife under distress, that does not put him in a position to actually believe in one. Our protagonist finally handles death almost nonchalantly, shrugging it off with absolutely no show of emotion. At the still-born death of his son, Frederic writes it off with the lines, â€Å"I wished †¦ I’d been choked like that. No I didn’t. [†¦] That was what you did. You died. You did not know what it was about. You neverShow MoreRelatedDiscussion of Stereotypes in a Farewell to Arms1449 Words   |  6 Pagesif they had really happened, Hemingway wrote just five years after publishing A Farewell to Arms, a novel written about the war in Italy, which is ironic because A Farewell to Arms can be seen as a semi-autobiographical novel, as some of the events that occur in the novel are based off of Hemingways own life. The parallels from the novel and Hemingways life are evident-- the protagonist, Lieutenant Frederic Henry, is an ambulance driver in the Italian army, just as Hemingway himself was an ambulanceRead More Frederick Henry Discovered Essay1901 Words   |  8 PagesFrederick Henry Di scovered In A Farewell to Arms, Ernest Hemingway uses his idea of the code hero to introduce us to an amazing character. Hemingway takes his own ideas and conveys them through Frederic Henry. During World War I Frederic Henry proves to us that war and lost love can change a strong and willing man. Most men are not willing to change and Frederic Henry realized that in order for him to survive the many problems he was faced with, he would have to become a more mature manRead MoreHemmingway: Catherine as a Code Hero1708 Words   |  7 PagesCatherine: A Manipulative Caretaker In A Farewell to Arms, Frederic Henry is characterized initially by a sort of detachment from life-though well-disciplined and friendly, he feels as if he has nothing to do with the war. These feelings of detachment are pushed away when Henry falls in love with Catherine and begins to realize the hostile nature of the world. In this way, Henry serves the function of a character that becomes initiated in Hemingways philosophy of an indifferent universe and mansRead More heroarms A Comparison of Code Heroes of A Farewell to Arms and For Whom the Bell Tolls2088 Words   |  9 PagesThe Code Heroes of A Farewell to Arms and For Whom the Bell Tolls      Ã‚  Ã‚  In Ernest Hemingways fiction, there is something known as the Hemingway Hero.   This term is usually applied to the male protagonist in his works.   The Hemingway hero illustrates a variety of traits, ranging from heavy drinking to his role as a leader among the characters with whom he interacts.   Traits of this hero also resemble the personal characteristics of Hemingway himself, and the hero usually finds himself inRead MoreFrederic Henry: Code Hero835 Words   |  4 PagesA Hemingway Code Hero is a trait that almost every main character of Ernest Hemingway’s novels possesses. According to Hemingway, a Code Hero is a man (or woman) who lives correctly and demonstrates respect for honor and courage during a chaotic and stressful world. There is a particular pattern to how a Code Hero conducts his or her life on a day to day basis. In the novel A Farewell to Arms, Frederic Henry is the Code Hero because fate is a determining role in his life’s event s, he lives in theRead More Catherine as Code Hero in Ernest Hemingways A Farewell to Arms3316 Words   |  14 PagesCatherine as Code Hero in A Farewell to Arms      Ã‚  Ã‚  Ã‚  Ã‚   In the last book of A Farewell to Arms, when the pregnant Catherine Barkley is having painful contractions, Frederic Henry, the narrator and protagonist of the novel, reminds his wife that she is a brave good girl (FTA 313). A day later, after undergoing a caesarian section and giving birth to a stillborn baby boy, Catherine proves just how brave she is; though she knows she is dying, she still has the dignity and strength to acceptRead MoreA Farewell to Arms: the Hemingway Code Hero1354 Words   |  6 PagesA Farewell to Arms: The Hemingway Code Hero #9; Ernest Hemingways 1914-1918 autobiographical novel, A Farewell to Arms, takes place on the Italian front during World War I. Frederic Henry, the main character, is a young American ambulance driver for the Italian army during the war. He is extremely disciplined and courageous, but feels detached from life. Rinaldi, a surgeon and friend of Frederics, introduces him to an English nurse named Catherine Barkley. Once introduced, Frederic discoversRead MoreDoubt in a Farewell to Arms by Hemingway1862 Words   |  8 Pages(Harden). Frederic Henry is the driving code hero in A Farewell to Arms through the war as he shows much courage through the warzone, powers courageously through a struggle to validate himself, and acts in a realistic manner through his struggle with Catherine. Through his injuries from the blast, Frederic Henry shows that he is the main code hero as he exhibits courage by being eager to rush out of the hospital. After being hit by the blast, the doctor in the hospital inquire of Frederic, Do youRead MoreThe Characteristics of Hemingways Works2503 Words   |  11 PagesThe Characteristics of Hemingway’s Works Ernest Hemingway, who was awarded the Pulitzer Prize in 1953 and the Nobel Prize of Literature in 1954, occupies an outstanding position in the American literature. He is regarded as one of the most influential writers of the twentieth century. Hemingway is famous for his distinct writing style and his â€Å"Code Hero.† In addition, his many great works are based on his experiences of war. 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Sin Nombre Movie Essay - 1459 Words

INTRODUCTION The movie I chose to do my movie analysis on was Sin Nombre. I chose this movie because it stood out to me the most, mainly because of the title in Spanish. I used four concepts while analyzing this epic movie. First I applied the power elite theory to see who had the power in this power city and how they used their power. Then I used the social conflict theory to see what caused the people to get into the gangs and how the gangs acted to the people. The socialization theory is shown in the sense that the gang makes people believe that they are a part of a family when they join. The last concept I used was deviance because of all the violence that happened in the movie. DESCRIPTION OF THE MOVIE In Cary Fukunaga’s†¦show more content†¦The authorities are rarely seen in this movie aside from the border patrol that catches Sayra, her father, and uncle. Here we are shown how corrupt the police are when they tell everyone they catch to strip down and give them all their valuables. Social Conflict Theory: The Social Conflict Theory states that people who are put down tend to stay down and be dictated by the force keeping them down. In the impoverished city in which this movie takes place in we see that people are very needy and have no dignity. It is in towns like this that many gangs find their burrows grounds and infiltrate these shanty towns to begin their cartels and reigns of terror. Here the people do not like the MS13 gang, but cannot do anything about it because they will be killed instantly. MS13 treat the people like dirt and freely rob, rape, and kill the people whenever they feel like it. Socialization: Socialization is when people are changed either at birth, due to their environment, or an outside change. In the movie we see how young Benito gets involved with MS13 and gets jumped into the gang. Here, in the MS13 gang, they instill in him their values, regulations, and beliefs. Benito then feels like he is a part of something. They make Benito kill a rival gang member, chop him up into pieces, and feed him to the dogs. After this task has been done he can be a real member of MS13. MS13 makes Benito feel like he is a part of their twisted family when they name him SmileyShow MoreRelatedThe Sleep Dealer : An Alien Body3180 Words   |  13 Pagesworks concerning migration across borders. At the time of its release, Sleep Dealer was just one of a series of films made by Latin American directors that focused on the precariousness of life in the global south. The films include such works as Sin Nombre (Cary Fukunaga 2007), Roma (Adolfo Aristarain 2004) Maria Full of G race (Joshua Marston 2004 ) and Babel,(Alejandro Gonzà ¡lez 2006) and Biutiful (Alejandro Gonzà ¡lez Ià ±Ãƒ ¡rritu 2010). Encompassing various styles and subjects films of the so called